SPECIFICS IN THE NATIONAL DANCES OF THE TURKIC PEOPLES

Abstract

To date, the modern picture of the cultural space is a very diverse, multi-level style palette. In this sense, the XXI century is full of colors of several epochs at once, unfolding consistently and intensively. The relevance of the topic under consideration is also due to the fact that in the period of globalization and the "capture" of the minds of modern youth by the delights of Western European culture, turning to the dances of the Turkic world is another opportunity to preserve the desired folk traditions, which, like language, dance is a reflection of the mentality, character of the nation and even its history. Striving into the roots of Turkic culture, studying and analyzing the dance art of Turkic-speaking, fraternal peoples, its history and its actual modern interpretation is a kind of challenge of the time. The article draws attention to the characteristic features of the common and special in the Turkic circular dances. The author, referring to existing sources, noted about the worship of ancient people, came to the conclusion that the Turkic peoples have a common root, have a common culture and values. The paper analyzes the historical interrelationships and conditionality of changes between the modern period and the stage of cultural construction in the national dances of the Turkic peoples. Also, on the basis of the studied materials, the comparative analysis examines the dance culture of representatives of modern Turkic peoples (Kazakhs, Bashkirs, Uzbeks, Uighurs, Azerbaijanis). The similarities that unite them are not only the common language, historical and geographical space, similar toponyms, customs and traditions, folk crafts, oral folk art, musical culture, but also circular dances.  In addition, the article examines the specifics of the in the music of the Turkic-speaking peoples. The article emphasizes that the identification of interregional connections in the musical system of the Turkic-speaking peoples occurs at several levels of research, allowing to optimally show the processes of connections, to identify their origins. The article examines the peculiarities of the development of national choreographic culture in historical retrospect; analyzes the characteristic features of the formation of ethnic dance, the degree of influence of natural factors, color symbols, everyday life on the development of national dance culture as a whole.